Monica Curiel (b. 1993, Dallas, Texas) is a first-generation Mexican American multidisciplinary artist who uses construction materials to honor the craftsmanship inherited from her parents and blends elements of 'art' and 'design' to challenge conventional categories. By emphasizing materials and textures over vibrant colors traditionally associated with Mexico and Mexican American art, she subverts stereotypes tied to her cultural background. 

Curiel earned her Bachelor of Fine Arts from the University of Kansas in 2021. In 2024, she was recognized on Dwell Magazine’s Dwell 24, and in 2023, she was included in Sight Unseen’s American Design Hot List. Her work has been exhibited in notable shows such as This Is America at Alcova during Milan Design Week in 2022 and Art In The Time Of Corona™ on Artsy in 2021. 

Curiel’s art reclaims spaces tied to her identity, exploring themes of memory, labor, and cultural identity. Her practice invites a reinterpretation of what constitutes art and design within contemporary discourse.

"My work explores the intersection of materiality, heritage, and identity, using construction materials—wood, spackling paste, plaster, and paint—to connect with my Mexican culture. Each piece honors the labor-intensive techniques learned from my father on construction sites and reflects my journey as a two-time cancer survivor, contemplating the lasting impact I hope to make. 

Blending American and Mexican influences, my practice merges traditional craftsmanship with contemporary art and design. By emphasizing textures and materials rather than the vibrant colors often associated with Mexico and Mexican American art, I challenge stereotypes and expand the dialogue on cultural expression. 

Placing my work in spaces reminiscent of cleaning homes with my mother symbolizes reclaiming space and identity. Each piece embodies the cultural heritage and craftsmanship passed down from my parents. Inspired by memories like wet clothes drying after a river bath—reflected in the draped forms of my paintings—I weave narratives of memory, labor, and cultural identity, challenging conventional notions of art and design within contemporary discourse."